In Bend I resolve to do the things no one else ever wants to do, specifically, people-watch from armchairs in the library, gain five pounds in cardamom Ocean Rolls, and attend a presentation on ravens. Did you know they mate for life and live to 20? In the High Desert Museum I also learn the word “buckaroo” might be a corruption of vaquero, or perhaps from the Gullah buckra—white man—itself from mbakara in the language of Nigeria’s Efik.
I was going to say that the raven meanwhile quethe today the same as ever. But we don’t know that, either, do we?
It’s not warm enough (for me) to get on a bike until one or two in the afternoon, but the northern days are short and I keep finishing rides in the dark. It’s sure some kind of trail-building, that even I can just about clean this stuff with my eyes shut, and I relish this even as I telegraph thanks to home turf for keeping me honest. What would I be it weren’t for a blown-out, off-camber, fall-line ego-check every weekend?
For an answer, a herd of girls in unicorn onesies appears at the top of the flow trail. A few have gotten too hot on the climb and unzipped themselves into sweat-glossed, lace-bra’d centaurs, unwanted horns and heads dangling lifelessly behind their saddles. They stop and preen and smother the last rider up in hugs and coos of “yaaaaaas” and “crrrrr-ush-errrrrrr,” a dialect of affirmation I’ve grown to understand but can’t speak. I feel like I’ve ridden into an Instagram ad.
The Painted Hills are that, and scattered slabs of layer cake. In the dusky palette I recognize a few shades, if not all: terra cotta tiles, sun on a rose, palomino horse. No lipstick, charcoal-smudged palm. Old bruise, fresh-scraped knee.
I stay at Spoke’n, a white clapboard church with a reading nook in the alcove—place of honor, where books belong. They are catering to bike campers and meticulous about it: kneeling pads for wrenching, conversation prompts on the kitchen table, pre-filled coffee filters, lemon-scented garbage cans. I arrive to my name in calligraphy on the bedroom door, despite having impulse-booked only a half-hour earlier.
I know the right-sized reaction to careful hospitality begins and ends with “Nice touch,” but I feel I know the rare mind it takes to do this sort of thing well, and that it’s often found in a woman not getting nearly enough cash or credit for it. Admiring the aesthetic choices in the old nave I’m consumed with unholy, acquisitive fantasies of a call with the head of recruitment for Hilton or Four Seasons. “You’ll never guess where I found her,” I’ll tell them from a crackling payphone that doesn’t exist. I might also be chewing tobacco, spit a stained arc into the dust and smudge it with my boot. “Trust me, you’re going to want her on those tower walk-throughs A-S-A-P.”
God forgive me; I live in capitalism and my imagination, if not in sin.
To say I make a series of stupid navigational errors would I imply I’m navigating, at all, rather than cruising along on the assumption that a trail named “Broken Top” will eventually just arrive there.
It’s midday before I realize that it won’t, late afternoon by the time I backtrack and screw up again, picking my way up the wrong couloir on the thin evidence of a few other footprints. Just short of a view over the edge, at least, my courage dies with the light. I fret, sally, waffle, retreat, and reach the dark and empty parking lot convinced I could have made the last few moves after all. Oh well, oh well.
I want to go east and wallow in obsidian on Glass Butte, but it’s hours of off-road driving and at this point I have to admit my car is unwell. I turn for Oakridge, instead, a known quantity, drive through either the night or outer space blinded by moonbeams flashing wildly through the pines.
The next day I buddy up with the next-least braap-y people on the shuttle: I ride better this way than without anyone around to call an ambulance. I’m a bit fitter but they’re a lot better, so our pace is about the same—and in any case they seem pleased to have a new audience for old jokes.
It’s difficult to leave. The forest is a kaleidoscope of low-angle light and fall color, the trails a glorious, torturous high-wire between wanting to look and wanting to fly. But the season’s nearly over. The mornings are getting very, very cold.